Rationale:
When deconstructing the film "Metropolis" directed by Fritz Lang, I took under consideration the time in which this film was made. Thus I chose to design an environment that was black and white - true to the style of the film. Aesthetically, a lot of the environments in Metropolis were built using simple geometry. The film felt quite 'open' too, the scenes had a lot of empty open space, due to the enormity of some of the props in comparison to the actors, such as the doors in Joh Frederson's big mansion. So when I came to designing my piece I took into account the area around my model, keeping a lot of negative space, to help keep to the original filmic style.
I chose to extend the scene in which we see Rotwangs house, decrepid and forgotten after years of neglect, surrounded by the enormous buildings of the progressing world around him. I chose this scene because I was interested in the way in which his house captured an essence of Rotwangs personality. He is an old crazy scientist hidden away from the rest of the world. I liked the idea of being able to express him through his environment, thus adding more meaning to the film.
I designed Rotwangs garage. A place where he keeps all of his crazy inventions. Like his house, the garage too is old and worn down. It looks like Rotwang has tried to fix it by roughly patching up the place with large metal sheets, but his efforts aren't enough to cover up how badly deteriorate fit it is. Holes have been blown through the walls where some of his experiments have gone wrong. I also played with the idea of the old and the new. Although the garage is ancient, there are some new additions to it to show that someone still lives there. The contraption on top of Rotwangs garage roof for instance is a newly added piece. Around the garage I also added some high rise metal beams, as seen in the film, to also help ground the environment and show the urban area Rotwang lives in. My music score is an orchestral piece, that compliments the film. Metropolis' original film score was composed for large orchestra by Gottfried Huppertz. I took this into consideration and found a piece that kept to this filmic style.